New York Streetscapes: Tales of Manhattan's Significant Buidlings and Landmarks (Paperback)
Having once been called a "building genealogist" by a stranger, Gray is definitely something more than an architectural historian. His "Streetscapes" column for the New York Times has taken readers through the architectural history of Gotham for 15 years, and now his book will make that journey comprehensive and just as immediate. Winding from lower Manhattan to uptown, the vignettes present an image of a structure-sometimes a garden or viaduct or something besides a building-with a revealing short text. More than 300 black-and-white (often period) photographs depict the lavish and strange interiors and exteriors of the structures. The combination of Gray's elegant architectural writing (on MoMA's facade: "After that the curved canopy was replaced and the panels were either all replaced or altered to eliminate their variegated, milky quality") with his gossipy and historical anecdotes ("In 1893 Delmonico's was found guilty of serving woodcock out of season") makes this an indispensable book for New York and architecture enthusiasts. Gray does a service for a place where, as he writes, "information is lost to local memory far sooner than in a suburban or rural environment." New York becomes a four-dimensional object with his revelations, a layered thing that can be peeled and examined in time and space. Copyright 2003 Reed Business Information, Inc. Book Description Christopher Gray's engaging tales of historic Gotham locales transport readers back in time for a stroll through the streets of old New York. The noted architectural historian, who writes the popular "Streetscapes" column in The New York Times, here gathers 190 of the best-loved of those columns to captivate readers with his wealth of information about sites and buildings and the intriguing lives of the people connected to them. From the Bridge Cafe (New York's oldest surviving bar) on Water Street to the Revolutionary War-era Morris-Jumel Mansion in upper Manhattan, Gray turns the spotlight on both obscure and familiar landmarks, and each of his witty, urbane essays is illustrated with at least one period photograph. Gray's vast enthusiasm and love for New York's architecture is evident in all that he writes, as is his concern for the preservation of the city's architectural treasures. |
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